![]() ![]() Miller played with extreme contrasts and vivid textures in a way that had rarely been attempted in the medium (though he owed a heavy debt to the pioneering quasi-noir of Will Eisner’s The Spirit comics of the 1940s), creating visuals as experimental as they were unforgettable. ![]() But one thing was inarguable: The artwork was beautiful. ![]() The plots weren’t groundbreaking - they all centered around tough guys and slinky dames getting caught up in deadly schemes and brutal fisticuffs. Between 19, legendary (and endlessly controversial) writer and artist Frank Miller cranked out more than 1,000 pages of hard-boiled neo-noir under the Sin City banner. The Sin City movies deserve praise for their daring visuals, but they’ve got nothing on the original comics. ![]()
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